graduation project of the artist Giath Taha. As he describes: “The work represents the ambiguous displacement of the ghost position, which hangs between two binaries such as life/death and actuality/ virtuality.” I
worked in close collaboration with the artist, the curator of FOAM at the time, Mirjam Kooiman, and the printing house Robstolk. I had total freedom in the design and took care of the printing and paper selection.
The final work was an A3 foldout publication printed in full color, offset.
These are two images of the same fl yer, on the left we have the front and on the right the back of the fl yer. I used both sides of the sewed textile on the flyer to play a bit
ith this two dimmensionality of it.
I was part of LACU during my studies, and I proposed to redesign their logo. It used to be a complex drawing with many elements, but I decided to take all of them and condense them in this logo. Many people don’t identify fi sh with Latin America, but LACU did not want to forget the colonial past of our continent, nor the fact that we feel like fi sh out of water by being so far from home in a very different culture.
I was part of LACU during my studies, and I proposed to redesign their logo. It used to be a complex drawing with many elements, but I decided to take all of them and condense them in this logo. Many people don’t identify fi sh with Latin America, but LACU did not want to forget the colonial past of our continent, nor the fact that we feel like fi sh out of water by being so far from home in a very different culture.